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Exhibition graphics shipped for a month-long show

Exhibition graphics shipped for a month-long show

We designed the graphics for a photography exhibition that runs through May. The brief asked for quiet so the images could lead. We used one typeface, two weights, and a floor vinyl system that could be remade if a wall moved.

Entrance type is large and a little slower than usual. People arrive talking. They need a second to land. Small captions come later, next to the work.

The same files became the printed guide. One system, two scales. That is the kind of economy we look for on cultural jobs.

  • What we decide before we draw

    A one-page brief comes first: audience, proof, constraints, and the first three applications. If that page cannot be signed, we are not ready to design.

    This keeps the work honest. Campaign ideas can wait until the system has a spine.

  • How a piece leaves the studio

    Every article and project ends with files, licences, and a named owner. Handoff is part of the design.

    If you want to talk about a similar brief, write to us from the contact page.